Saturday, January 05, 2008

Italy Watercolor Series 2007

After the NYSS Drawing Marathon in Orvieto, I spent a week in a small house outside of Todi, Italy. Every morning I painted the sunrise, along with my friend and professor. As watercolor is a new medium for me, as is waking up at 4am, and I hadn't painted from nature in over a year, it is needless to say that I struggled during the process of painting these sunrises. I felt like a child when I painted the first sunrise; clumsily, freely and unaware of my materials. By the end of the week, however, I was able to create miniature compositions with bold, clear color choices. The dates below the pieces demonstrate the progress (I hope!) that I made during the week. Enjoy!

Domenica (Sunday)

Todi in Darkness before Sunrise
10" x 14" watercolor on paper
7.22.2007


Todi Before Sunrise
10" x 14" watercolor on paper
7.22.2007


Before Sunrise over Todi
4" x 6" watercolor on paper
7.22.2007


Red Egg-Yolk Sun
10" x 14" watercolor on paper
7.22.2007


Yellow Egg-Yolk Sun
4" x 6" watercolor on paper
7.22.2007


Todi Domenica Sera, alle Otto (Sunday Evening, 8pm)
7.5" x 11" watercolor on paper
7.22.2007


Lunedi (Monday)

Todi alle quattro e mezzo della mattina (4:30am)
7.5" x 11" watercolor on paper
7.23.2007


Todi prima dell'alba
10" x 14" watercolor on paper
7.23.2007


Todi prima dell'alba (with red dots)
4" x 6" watercolor on paper
7.23.2007


Todi cerca l'alba: Un cielo grandissimo!
(Todi near dawn: a grand sky!)
10" x 14" watercolor on paper
7.23.2007


L'alba di Todi
10" x 14" watercolor on paper

7.23.2007



Martedi (Tuesday)

Purple Todi before Sunrise
8" x 8" watercolor on paper
7.24.2007


Todi, Pale Sky Before Sunrise
4" x 6" watercolor on paper
7.24.2007


Todi Tuesday before Sunrise
10" x 14" watercolor on paper
7.24.2007


Todi Sunrise in Red Sky
10" x 14" watercolor on paper
7.24.2007


Todi Tuesday Afternoon
4" x 6" watercolor on paper
7.24.2007


Mercoledi (Wednesday)

Todi before Sunrise
10" x 14" watercolor on paper
7.25.2007


Rainbow Sky before Sunrise
4" x 6" watercolor on paper
7.25.2007


Dark Todi, Rainbow Sky before Sunrise
8" x 8" watercolor on paper
7.25.2007


Todi Sun Peeking over Mountains
4" x 8" watercolor on paper
7.25.2007


Todi Sunrise on a Clear Day
4" x 8" watercolor on paper
7.25.2007


Todi Sunset
(alternative titles: Todi as toad, Todi as pizza)
4" x 6" watercolor on paper
7.25.2007


Giovedi (Thursday)

Todi Flying Clouds before Sunset
4" x 6" watercolor on paper
7.26.2007


Todi Purple Clouds before Sunrise (panoramic)
4.5" x 14" watercolor on paper
7.26.2007


Todi Red Sunrise (panoramic)
4.5" x 14" watercolor on paper
7.26.2007


Todi White Sunrise
4" x 6" watercolor on paper
7.26.2007



Venerdi (Friday)

Todi Purple Mountains before Sunrise
4" x 6" watercolor on paper
7.27.2007



Todi Before Sunrise (panoramic)
4.5" x 14" watercolor on paper

7.27.2007


Todi Orange Sunrise (panoramic)
4.5" x 14" watercolor on paper
7.27.2007


Todi Red Sunrise Surprise
4" x 6" watercolor on paper
7.27.2007


L'ultima notte a Todi: La Luna
(The last night in Todi: The moon)
10" x 14" watercolor on paper
7.27.2007


La Luna e gli Arboli
4" x 6" watercolor on paper
7.27.2007


Sabato (Saturday)

Todi Morning Mist
4" x 6" watercolor on paper
7.28.2007



Finally...some oil pastel drawings

Orvieto Landscape
8" x 11" oil pastel on paper


Orvieto Haystacks
8" x 11" oil pastel on paper



Todi Still Life with Fruit and Flowers
11" x 8" oil pastel on paper



Todi Dawn
8" x 11" oil pastel on paper

2 Comments:

Blogger Oxford Don said...

I'm thinking of On Kawara ('I got up', and 'I am still alive') and the idea of a daily practice of painting; an idea developed even before Gerhard Richter popularized the phrase with the publication of his (abridged) notebook. The idea of watercolor giving you a run for your money is familiar; but you seem to work best with it when you ignore its liquidity. But such works need to be viewed face to face, as watercolor and such lose much in reproduction/translation.

11:56 AM  
Blogger Oxford Don said...

I'm thinking of On Kawara ('I got up', and 'I am still alive') and the idea of a daily practice of painting; an idea developed even before Gerhard Richter popularized the phrase with the publication of his (abridged) notebook. The idea of watercolor giving you a run for your money is familiar; but you seem to work best with it when you ignore its liquidity. But such works need to be viewed face to face, as watercolor and such lose much in reproduction/translation.

11:57 AM  

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